Speaking candidly

unposed shots of people at work, rest, and play

I made sure to get at least one shot of this cool looking musician pulled back a tad and close to the wall for two reasons. 1) So anyone looking at the shots I took of him, could get a better sense of what kind of place he was performing in, and 2) So that anyone familiar with Prospect Park would have a chance to know where I took this photo.<br />
<br />
However the next shot of him was the real image I wanted to record for posterity, as I sought to capture a mood and visual imagery (that one rarely gets the opportunity to acquire with such flair), in a natural un-made up setting. I succeeded so splendidly at it that I consider this next shot of him the finest candid shot I've ever taken.

150 / 1299

I made sure to get at least one shot of this cool looking musician pulled back a tad and close to the wall for two reasons. 1) So anyone looking at the shots I took of him, could get a better sense of what kind of place he was performing in, and 2) So that anyone familiar with Prospect Park would have a chance to know where I took this photo.

However the next shot of him was the real image I wanted to record for posterity, as I sought to capture a mood and visual imagery (that one rarely gets the opportunity to acquire with such flair), in a natural un-made up setting. I succeeded so splendidly at it that I consider this next shot of him the finest candid shot I've ever taken.

Prospect park Brooklyn candid musicians spring saxophones NYC silhouettes